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Récit 01, Sampling, 8 min read, 4 September 2026

Cet article est affiché en anglais pour le moment.

Making the Mocha Varsity Jacket

Four samples, eleven months and one shade of brown we couldn’t stop arguing about. This is how our first varsity jacket was made.

Couple in mocha varsity jackets with cream sleeves and matching brown pants
Front: a chenille 5 on the white leather sleeve.
Couple in mocha varsity jackets with cream sleeves and matching brown pants
Back: the XV smile, in chenille.Photo: Kwame Asante

THE PIECE

Our first varsity jacket took longer than anything we’ve made. We wanted the weight of an old team jacket, a brown like coffee with too much milk, and a back you’d recognise from across the street.

This is how it went from a page in a sketchbook to the jacket in these photos, with every wrong turn left in.

One wool body. Two leather sleeves. Four rounds of sampling before it felt like ours.

BODY
Wool melton
SLEEVES
Leather
SAMPLES
4 rounds · 11 months
EDITION
150 pieces

01Sketch

It started with the back. Before we knew the body, the sleeves or the fabric, there was a smiling XV in a circle, drawn over and over in the corner of a notebook. The jacket was built around it.

The first flats were drawn by hand: a dropped shoulder, a boxy body that stops at the hip, and two-stripe ribbing at the collar, cuffs and hem.

Pencil sketches of garments and hangers on paper, with pencils on the page
First silhouettes, pencil on paper. Autumn 2025.

FLAT 03 — MOCHA VARSITYRev. 11.25

Technical flat of the Mocha Varsity Jacket, front
FRONT
Technical flat of the Mocha Varsity Jacket, back
BACK
Flats: rib collar, chenille 5, leather sleeves, welt pockets, the XV smile on the back.

02Fabric

A varsity jacket lives or dies by its wool. We tested melton from four mills and wore each sample for a week before deciding. The winner is heavy enough to hold its shape and soft enough to wear over a tee.

The sleeves are leather, cut in white so the brown body reads even deeper.

Couple in mocha varsity jackets with cream sleeves and matching brown pants
Chenille on felt, leather on the sleeves.
Hands choosing between fabric swatches spread across a table
Choosing between swatches from four mills. Swatch 03 won.

03Sampling

Four samples in eleven months. Each one fixed something the last one got wrong, and each one went home with someone on the team for a week of real wear.

  1. Sample 01

    Wrong brown. Too red in daylight, too flat indoors.

    A brown coat hanging alone on a rail in a bare concrete studio
  2. Sample 02

    Right brown. The sleeves pulled at the elbow, so the pattern was recut.

    A black leather jacket on a clothes rack
  3. Sample 03

    The XV smile moved from print to chenille, redrawn at 24 cm.

    Four leather jackets with shearling collars hanging on a brick wall
  4. Sample 04, Prototype approuvé

    Approved. The jacket in these photos.

    Couple in mocha varsity jackets with cream sleeves and matching brown pants

“We kept changing the brown until it matched the jacket in my head.”

Tomi Ajayi, founder

04Production

Production ran as one small batch, so every jacket could be checked by hand before it left the workshop. Each one carries its edition number on the inside label.

A leatherworker stitching at a sewing machine in a dim workshop
Stitching the leather sleeves, July 2026.
WORKSHOP
Family-run atelier, Montréal
EDITION
150 pieces, numbered
BODY
Wool melton
SLEEVES
Leather
LINING
Quilted satin
CARE
Specialist clean only

05Credits

DESIGN
Fiveteen Studios
PATTERN
Chloé Bertrand
PRODUCTION
Marc-André Pelletier
PHOTOGRAPHY
Kwame Asante
WORDS
Tomi Ajayi

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